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CAROLYN MIMBS CLAY

Something deep inside draws me to the forest. I have reverence for the way redwood trees absorb moisture from the dense fog that flows in from the coast, seeping into each needle, strengthening and hydrating themselves from their tender tips into the depths of the massive trunks. I long to hydrate my skin, my bones, my soul through osmosis in the same way these trees receive their life. They grow clustered in expansive forests with interconnecting roots, an unseen tether to each other and the earth. We all have invisible tethers, to our family, friends, memories of pain, disappointment, and passionate encounters. I long to grow my tethers to many, through the way I live and create, each piece of art forming a new connection to another being, whether through their eyes, hands, or heart.

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Through exploration of my roots and establishing a deep appreciation for family, heritage, and upbringing, I have been on a journey into realms of personal discovery and a reconnection to the earth. I am drawing upon my past through a vintage aesthetic yet elevating the humble vintage souvenir-style work through sensual, vulnerable figures interacting and struggling within their surroundings.

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EPHEMERAL INSTALLATION

Summers in high school were spent renovating houses with my grandfather. I loved being his apprentice even though he often challenged me with tasks I was unsure I could handle. Whenever a problem seemed too difficult for me, he would encourage me to enjoy the process. I have adopted this as my own mantra for challenging situations. If I take the time to enjoy the process then I know I have learned something, I have worked through a problem, I have made a difficult time a little more pleasurable. This mantra also takes the pressure off of an end product. Does it really matter that I made a masterpiece, as long as I enjoyed the journey to make it?

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SCORCHED EARTH

Firewood

ONE WITH THE WOODS

Sculpting my form has become a restorative form of therapy. Working from the feet to the top of the head, taking in each part of my body, examining it carefully, considering its proportions to the rest of the figure, and taking time to care for every detail, curve, and wrinkle on my body. I want to give the figure a sense of peaceful rest, comfortable among the earth, leaning on these burnt memories, adding them to her body under her hair and on the plants and leaves, yet having her convey a sense of contemplation. I want the figure to be at once comfortable in her body, and uncomfortable in her thoughts.

Forest

BURNT MEMORIES SERIES

With a single mom working on a PhD, my sister and I would get shipped off to various family members in the summers for my mom to focus on her dissertation. I can still remember the wallpaper leftovers and carpet squares, patch-working my great grandmother’s upstairs bedroom together. The retro flowers in rows, flipping from avocado green to mustard yellow and rusty orange were in odd contrast with the elaborate gilded filigree wallpaper on the adjacent wall. Each nook had a different era etched onto it, with these patterns as the backdrop for vintage dressers, knick knacks, and crooked photos. The flytraps hanging from the window sills flickering like sun catchers. I could easily spend hours combing the room for a picture I hadn’t seen before, a seashell lamp that was now burnt out, a dusty picture of my grandma and her 8 siblings. I used to remember all these things so clearly, this museum of familial memories that were not my own, but were held tightly through my lineage of blood and marriage, divorce, and stories retold at each Sunday lunch at great grandma’s. These memories became an inheritance. I could feel the weight of them even as a child, desperate to be held and passed on, though fleeting as age and distance became a controlled burn for my heart, clearing the path to make room for new ones. Occasionally I can dig my way back and recall some parts, but I can’t seem to turn my head to the right to see what’s on that end table, trapped in the unfinished room.

"Often the hands will solve a mystery that the intellect has struggled with in vain "

Carl Jung

Thanks _lizfink for hanging with me and taking pictures of my crazy hair this evening while I worked
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2012-Current

ART TEACHER, LAKEVIEW MIDDLE SCHOOL, KANSAS CITY, MO

Teaching 7th and 8th grade Art
Director of Art Club
Chair of the Social Committee
Active member of the Leadership Committee

2008-2009, 2011-2012

ART TEACHER, LIBERTY JUNIOR HIGH SCHOOL, LIBERTY, MO

Teaching Art Fundamentals and 3D Design

2009-2010

ENGLISH TEACHER, SEONGSONG MIDDLE SCHOOL, CHEONAN, SOUTH KOREA

Conversational English teaching in a public middle school for the
Government of Cheonan City
Worked within the Korean public school system implementing TESOL
in an economically diverse population

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